Excess Apparator is a triadic candleholder that disobeys containment. Designed to lean against its own copies, it is held in ritual tension by a leather connector. Wax is not captured but released, channeled into flow — a symbolic and material transgression.
The object is built to overflow: it does not organize fire but stage its consequences. The gesture of lighting becomes an act of erotic‑sacred breach, where fluid and heat replace stability. The form recalls body cavities, the soft threshold of skin and the failure of restraint. It is not a vessel — it is an agent of liquid desire.
