This object reanimates the erased anatomy of the everyday hanger. Its ceramic body retains the curvature of shoulders, not as ergonomic necessity but as the residual presence of what was expelled. Leather tips accentuate the illusion of flesh — soft, rounded and vaguely organic.
Figure Apparator does not serve utility; instead, it interrupts the neutral suspension of garments to assert the trace of a body. It transforms absence into overpresence. Through form, weight and proportion, the object enacts a return of the displaced, operating less as storage and more as exposure of what is no longer there.
